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Download 3D Storytelling: How Stereoscopic 3D Works and How to Use It by Bruce Block, Philip McNally PDF

By Bruce Block, Philip McNally

3D Storytelling is the last word advisor for administrators, cinematographers, manufacturers, and architects of stereoscopic 3D videos and movies. With an emphasis at the aesthetic over the technical, this booklet is a necessary starting place for exhibiting you the way to exploit 3D creatively to inform a story.
Hollywood manufacturer Bruce Block and Dreamworks stereoscopic manager Philip Captain 3D McNally combination their immense real-world adventure and educating talents that can assist you find out how to:

* imagine in 3D
* combine 3D layout into your script or story
*
Direct and layout the 3D intensity of your shots
* Use stereoscopic windows
* paintings with the intensity cues in 3D
* Create a comfy viewing event for the audience
* Plan modifying and directorial issues for 3D
* comprehend closed, open, and risky 3D space

Brimming with functional info that may be instantly utilized for your 3D construction, the ebook additionally gains interviews with a number of the industry’s best stereographers, in addition to 3D diagrams and images that illustrate how 3D works, the way it will be managed in creation, and the way 3D can be utilized to inform a narrative.

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3D Storytelling: How Stereoscopic 3D Works and How to Use It

3D Storytelling is the last word advisor for administrators, cinematographers, manufacturers, and architects of stereoscopic 3D videos and movies. With an emphasis at the aesthetic over the technical, this e-book is a vital starting place for displaying you ways to take advantage of 3D creatively to inform a story.
Hollywood manufacturer Bruce Block and Dreamworks stereoscopic manager Philip Captain 3D McNally mixture their gigantic real-world event and educating abilities that can assist you learn the way to:

* imagine in 3D
* combine 3D layout into your script or story
*
Direct and layout the 3D intensity of your shots
* Use stereoscopic windows
* paintings with the intensity cues in 3D
* Create a comfy viewing adventure for the audience
* Plan enhancing and directorial concerns for 3D
* comprehend closed, open, and risky 3D space

Brimming with functional details that may be instantly utilized for your 3D creation, the ebook additionally positive aspects interviews with the various industry’s major stereographers, in addition to 3D diagrams and images that illustrate how 3D works, the way it might be managed in construction, and the way 3D can be utilized to inform a narrative.

Additional resources for 3D Storytelling: How Stereoscopic 3D Works and How to Use It

Sample text

C. IA Controls Depth Adjusting the IA changes the total depth of a 3D scene. As the IA increases, the total depth of the scene also increases. As the IA decreases, the total depth of the scene decreases. 59 Put on your 3D glasses and look at this shot of the three actors. This picture was taken with a very small IA so there is very little 3D depth along the Z-axis. In fact, the picture looks about the same with or without your 3D glasses. 60 Now the IA has been increased and the shot has more 3D depth.

All three pictures were taken with the same IA, but different focal length lenses. As the lens gets longer, the volume diminishes. The 18 mm wide-angle lens picture has good volume but the 50 mm lens has less volume and the 150 mm telephoto lens has no volume at all. 54 The same visual experience occurs with binoculars. 5 inches. When viewed through binoculars, distant objects don’t have any volume because the IA is too small. Binoculars must fit a human’s IO so their IA is too small to compensate for the telephoto lenses.

The ball and head now have an exaggerated volume. They appear distorted or stretched in depth. This is called a shape or volume ratio greater than 1. In animation it’s called more than 100 percent or off-model volume. 52 An overly large IA can increase the volume of objects too much and they appear elongated. The amount of IA needed to create good-looking volume also depends on the focal length of the lens. 53 Put on your 3D glasses. All three pictures were taken with the same IA, but different focal length lenses.

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